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Engaging audiences beyond visual appeal is a central theme explored in this essay, which examines the evolution of curatorial practices in contemporary design exhibitions. It highlights a shift from traditional, vision-dominated approaches to multi-sensory experiences that invite deeper connections with art objects. The essay analyzes successful case studies, such as the Rain Room and Heiner Goebbels' Stifter’s Dinge, to illustrate how innovative curators have transformed exhibition-making. This exploration underscores the importance of curators' beliefs in shaping new display strategies and enhancing audience engagement.
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Revealing Meanings through Multi-Sensory Experience, Margaret Choi Kwan Lam
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- 2014
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