Mahomet: Trauerspiel in Fünf Aufzügen

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The play, read by Voltaire to Frederick of Prussia in 1740, sparked significant controversy, leading to its withdrawal after just four performances due to Church pressure. Critics remain divided on whether it serves as a critique of Christianity, Islam, or both, highlighting its complex themes and enduring relevance. The work's provocative nature continues to engage scholars and audiences alike, reflecting on religious and societal issues that resonate even centuries later.