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Exploring the political dimensions of ambiguity in art cinema, this work examines films from Italy, Hungary, South Korea, and the United States. It argues that the unique characteristics of art cinema emerged during transitions from authoritarian regimes to democratic societies. By analyzing these films, the author highlights how ambiguity can serve as a powerful tool for political expression and reflection during times of significant societal change.
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After Authority: Global Art Cinema and Political Transition, Kalling Heck
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- Année de publication
- 2020
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