Writing and Cinema

Exploring the interplay between writing and cinema, this collection of essays delves into various films, from classics like The Piano to modern adaptations such as Blade Runner. It addresses topics like film industry writing, advertising, and the evolution of film studies, including psychoanalytic theory and audience culture. The essays engage with ongoing debates about authorship and audience while introducing innovative approaches to studying cinematic writing. A select bibliography and a documents section provide resources for further exploration.