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The Gates of November

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"REMARKABLE . . . A WONDERFUL STORY". --The Boston Globe The father is a high-ranking Communist officer, a Jew who survived Stalin's purges. The son is a "refusenik", who risked his life and happiness to protest everything his father held dear. Now, Chaim Potok, beloved author of the award-winning novels The Chosen and My Name is Asher Lev, unfolds the gripping true story of a father, a son, and a conflict that spans Soviet history. Drawing on taped interviews and his harrowing visits to Russia, Potok traces the public and privates lives of the Slepak family: Their passions and ideologies, their struggles to reconcile their identities as Russians and as Jews, their willingness to fight--and die--for diametrically opposed political beliefs. "[A] vivid account . . . [Potok] brings a novelist's passion and eye for detail to a gripping story that possesses many of the elements of fiction--except that it's all too true". --San Francisco Chronicle

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The Gates of November, Chaim Potok

Langue
Année de publication
1997
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(souple)
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3,8
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Langue
Anglais
Publié
1997
Format
souple
Pages
304
ISBN10
044921981x
ISBN13
9780449219812
Séries
Première publication
1996
Titre original
The Gates of November
Évaluation
3,8 sur 5
Description
"REMARKABLE . . . A WONDERFUL STORY". --The Boston Globe The father is a high-ranking Communist officer, a Jew who survived Stalin's purges. The son is a "refusenik", who risked his life and happiness to protest everything his father held dear. Now, Chaim Potok, beloved author of the award-winning novels The Chosen and My Name is Asher Lev, unfolds the gripping true story of a father, a son, and a conflict that spans Soviet history. Drawing on taped interviews and his harrowing visits to Russia, Potok traces the public and privates lives of the Slepak family: Their passions and ideologies, their struggles to reconcile their identities as Russians and as Jews, their willingness to fight--and die--for diametrically opposed political beliefs. "[A] vivid account . . . [Potok] brings a novelist's passion and eye for detail to a gripping story that possesses many of the elements of fiction--except that it's all too true". --San Francisco Chronicle