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The Lost Impressionists

Masterpieces from Private Collections

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  • 192pages
  • 7 heures de lecture

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Students and scholars of Impressionism will welcome the focus of this new book, which profiles 92 privately owned masterworks. Until now, information about these paintings--and even images of some of them--have not been available. De Vries-Evans provides solid provenance data and also examines the impetus behind the collection of certain works, furthering this aim by appending a highly informative section that lists over 60 collectors. 92 paintings presented all of them belong to private collections, and many are rarely seen by anyone other than their owners. Among the highlights are Manet's debonair portrait of a chic, coquettish widow; a jewel-like river scene by Gustave Caillebotte; a dazzling room interior by Pierre Bonnard; and Degas's remarkable study of laundresses, which fuses devices from photography and Japanese prints. Along with works by Pissarro, Cassatt, Renoir, Monet and Morisot, the volume features paintings by Post-impressionists such as Van Gogh, Gauguin, Seurat and Toulouse-Lautrec as well as by less familiar artists such as the American Frederick Frieseke and the English painters Albert Fullwood and Philip Wilson Steer. De Vries-Evans, an Australian art historian, provides entertaining commentaries on each plate as well as a colorful history of collectors and collecting.

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The Lost Impressionists, Susanna de Vries-Evans

Langue
Année de publication
1992
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Titre
The Lost Impressionists
Sous-titre
Masterpieces from Private Collections
Langue
Anglais
Publié
1992
Format
rigide
Pages
192
ISBN10
1879373254
ISBN13
9781879373259
Séries
Mots clés
Art, 19e siècle
Évaluation
4,35 sur 5
Description
Students and scholars of Impressionism will welcome the focus of this new book, which profiles 92 privately owned masterworks. Until now, information about these paintings--and even images of some of them--have not been available. De Vries-Evans provides solid provenance data and also examines the impetus behind the collection of certain works, furthering this aim by appending a highly informative section that lists over 60 collectors. 92 paintings presented all of them belong to private collections, and many are rarely seen by anyone other than their owners. Among the highlights are Manet's debonair portrait of a chic, coquettish widow; a jewel-like river scene by Gustave Caillebotte; a dazzling room interior by Pierre Bonnard; and Degas's remarkable study of laundresses, which fuses devices from photography and Japanese prints. Along with works by Pissarro, Cassatt, Renoir, Monet and Morisot, the volume features paintings by Post-impressionists such as Van Gogh, Gauguin, Seurat and Toulouse-Lautrec as well as by less familiar artists such as the American Frederick Frieseke and the English painters Albert Fullwood and Philip Wilson Steer. De Vries-Evans, an Australian art historian, provides entertaining commentaries on each plate as well as a colorful history of collectors and collecting.