Bookbot

Paramètres

  • 287pages
  • 11 heures de lecture

En savoir plus sur le livre

Documenting one of only four complete, "vintage" sets of the bronzes, this lavishly illustrated catalogue presents for the first time stunning color images of the sculptures together with the archival photographs taken by Gautier of the original models found in Degas's studio in 1917-1918, and the historic photographs taken fifty years ago by the well-known Swiss art photographer Leonard von Matt.The essays offer the general reader an exploration of Degas and his sculpture. Included are an interview with Degas himself, introductions to mid-century exhibitions, and reflections of contemporary thinking on the artist, his motivations, and the complex casting history of these works. The appendixes cover the results of extensive recent research into newly available archives, some previously published only in French.

Achat du livre

Degas Sculptures, Joseph S. Czestochowski, Anne Pingeot, Daphne Barbour, Museo de San Carlos, University of Rochester. Memorial Art Gallery, San Diego Museum of Art

Langue
Année de publication
2002
product-detail.submit-box.info.binding
(rigide)
Nous vous informerons par e-mail dès que nous l’aurons retrouvé.

Modes de paiement

4,0
Très bien
2 Évaluations

Il manque plus que ton avis ici.

Titre
Degas Sculptures
Sous-titre
Catalogue Raisonné of the Bronzes
Langue
Anglais
Publié
2002
Format
rigide
Pages
287
ISBN10
0971640807
ISBN13
9780971640801
Séries
Évaluation
4 sur 5
Description
Documenting one of only four complete, "vintage" sets of the bronzes, this lavishly illustrated catalogue presents for the first time stunning color images of the sculptures together with the archival photographs taken by Gautier of the original models found in Degas's studio in 1917-1918, and the historic photographs taken fifty years ago by the well-known Swiss art photographer Leonard von Matt.The essays offer the general reader an exploration of Degas and his sculpture. Included are an interview with Degas himself, introductions to mid-century exhibitions, and reflections of contemporary thinking on the artist, his motivations, and the complex casting history of these works. The appendixes cover the results of extensive recent research into newly available archives, some previously published only in French.