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The Australian painter Stephen Bush may be best known for having made 27 copies of his The Lure of Paris, a black-and-white work in which Babar the elephant king, cast as colonial explorer, studies the view from a craggy seaside cliff. This survey of Bush's work since 2000, with a selection of earlier pieces, tracks a shift from that beautifully executed but cynical take on history painting towards a more surrealistic, Leipzig-esque style in vibrant, clashing colors. Hermetic, introverted figures and man-made structures--a beekeeper at his nests--are paired with dramatic scenery in an apocalyptic palette of hot pink, coral, lavender and kelly green. As Artforum has noted, Bush turns the landscape genre "inside out. Rather than a mind calmed by the natural environment, these paintings record the external manifestation of psychological trauma."
Achat du livre
Stephen Bush, Stephen Bush
- Langue
- Année de publication
- 2007
- product-detail.submit-box.info.binding
- (rigide),
- État du livre
- Très bon
- Prix
- 4,39 €
Modes de paiement
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- Titre
- Stephen Bush
- Sous-titre
- Gelderland
- Langue
- Anglais
- Auteurs
- Stephen Bush
- Éditeur
- SITE Santa Fe
- Publié
- 2007
- Format
- rigide
- Pages
- 95
- ISBN10
- 0976449250
- ISBN13
- 9780976449256
- Séries
- Mots clés
- Nonfiction, Art, Catalogues d'expositions, Australie, Océanie
- Évaluation
- 4 sur 5
- Description
- The Australian painter Stephen Bush may be best known for having made 27 copies of his The Lure of Paris, a black-and-white work in which Babar the elephant king, cast as colonial explorer, studies the view from a craggy seaside cliff. This survey of Bush's work since 2000, with a selection of earlier pieces, tracks a shift from that beautifully executed but cynical take on history painting towards a more surrealistic, Leipzig-esque style in vibrant, clashing colors. Hermetic, introverted figures and man-made structures--a beekeeper at his nests--are paired with dramatic scenery in an apocalyptic palette of hot pink, coral, lavender and kelly green. As Artforum has noted, Bush turns the landscape genre "inside out. Rather than a mind calmed by the natural environment, these paintings record the external manifestation of psychological trauma."


