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El museo desaparecido

Los nazis y la confiscación de obras de arte

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Between 1939 &amp; 1944, as the Nazis overran Europe, they were also quietly conducting another type of pillage. <i>The Lost Museum</i> tells the story of the Jewish art collectors &amp; gallery owners in France who were stripped of rare works by artists such as Vermeer, Rembrandt, Degas, Cézanne &amp; Picasso. Before they were through, the Nazis had taken more than 20,000 paintings, sculptures &amp; drawings from France. <i>The Lost Museum</i> explores the Nazis’ systematic confiscation of these artworks, focusing on the private collections of five families: Rothschild, Rosenberg, Bernheim-Jeune, David-Weill &amp; Schloss. The book is filled with private family photos of this art, some of which has never before been seen by the public, &amp; it traces the fate of these works as they passed thru the hands of top German officials, unscrupulous art dealers &amp; unwitting auction houses such as Christie’s &amp; Sotheby’s.

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El museo desaparecido, Hector Feliciano

Langue
Année de publication
2004
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(souple),
État du livre
Bon
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30,99 €

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Titre
El museo desaparecido
Sous-titre
Los nazis y la confiscación de obras de arte
Langue
Espagnol
Éditeur
Planeta
Publié
2004
Format
souple
Pages
377
ISBN10
9500425645
ISBN13
9789500425643
Séries
Description
Between 1939 &amp; 1944, as the Nazis overran Europe, they were also quietly conducting another type of pillage. <i>The Lost Museum</i> tells the story of the Jewish art collectors &amp; gallery owners in France who were stripped of rare works by artists such as Vermeer, Rembrandt, Degas, Cézanne &amp; Picasso. Before they were through, the Nazis had taken more than 20,000 paintings, sculptures &amp; drawings from France. <i>The Lost Museum</i> explores the Nazis’ systematic confiscation of these artworks, focusing on the private collections of five families: Rothschild, Rosenberg, Bernheim-Jeune, David-Weill &amp; Schloss. The book is filled with private family photos of this art, some of which has never before been seen by the public, &amp; it traces the fate of these works as they passed thru the hands of top German officials, unscrupulous art dealers &amp; unwitting auction houses such as Christie’s &amp; Sotheby’s.