Cette série explore l'intersection du crime et du comportement humain, en employant des approches interdisciplinaires non conventionnelles pour analyser la criminalité. Elle examine comment les symboles, les représentations visuelles et les systèmes de communication sont façonnés par les contextes du système judiciaire pénal et des enquêtes, et les façonnent en retour. Offrant une perspective approfondie, elle analyse comment nous comprenons et réagissons aux actes criminels à travers le prisme de la sémiotique et des études culturelles.
Mean Green: Nation Building in the National Border Patrol Museum presents an analysis of the National Border Patrol Museum in El Paso, Texas, that deploys theoretical approaches in the disciplines of visual and cultural studies, border studies, ethnic studies, discourse analysis, museology, and spatial theory.
This groundbreaking anthology examines the phenomenon of crime and our historical understanding - and misunderstanding - of the criminal mind through the lens of the humanities, unpacking foundational concepts in criminology and criminal investigative analysis through disciplines such as the visual arts, cultural studies, religious studies, and comparative literature. Edited by two key figures in this burgeoning field who are also pre-eminent experts in both forensic semiotics and literary criminology, this book breathes new life into the humanities disciplines by using them as a collective locus for the study of everything from serial homicide, sexual disorders, and police recruiting and corruption to the epistemology of criminal insanity. Using a multidisciplinary framework that traverses myriad pedagogies and invokes a number of methodologies, this anthology boasts chapters written by some of the world's key scholars working at the crossroads of crime, media, and culture as broadly defined.