Cette série explore la vie et l'héritage des personnalités les plus marquantes de l'histoire. À travers des biographies captivantes, elle met en lumière les penseurs et les acteurs qui ont façonné notre monde par leurs idées et leurs actions. Chaque volume offre un aperçu concis mais perspicace des intellectuels, artistes et leaders politiques qui ont laissé une empreinte indélébile sur l'humanité.
St Paul is known throughout the world as the first Christian writer, authoring fourteen of the twenty-seven books in the New Testament. But as Karen Armstrong demonstrates in this book, he also exerted a more significant influence on the spread of Christianity throughout the world than any other figure in history. It was Paul who established the first Christian churches in Europe and Asia in the first century, Paul who transformed a minor sect into the largest religion produced by Western civilization, and Paul who advanced the revolutionary idea that Christ could serve as a model for the possibility of transcendence
At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation. David Lynch: The Man from Another Place, Dennis Lim's remarkably smart and concise book, proposes several lenses through which to view Lynch and his work: through the age-old mysteries of the uncanny and the sublime, through the creative energies of surrealism and postmodernism, through ideas of America and theories of good and evil. Lynch himself often warns against overinterpretation. And accordingly, this is not a book that seeks to decode his art or annotate his life--to dispel the strangeness of the Lynchian--so much as one that offers complementary ways of seeing and understanding one of the most distinctive bodies of work in modern cinema. Its spirit is true to its subject, in remaining suggestive rather than definitive, in allowing what Lynch likes to call "room to dream," and in honoring the allure of the unknown and the unknowable.
A biography of one of the leading intellectuals in postwar America, author of the controversial Eichmann in Jerusalem, which introduced the concept of banality of evil, changing in a single phrase our view of humanity.
Widely regarded as the greatest filmmaker of the twentieth century, Alfred Hitchcock had a gift for creating suspense and a shrewd knowledge of human psychology. His film career, spanning more than half a century, is studded with classics from The 39 Steps to Psycho, North by Northwest to Vertigo (which in 2012 unseated Citizen Kane as the best movie of all time according to Sight and Sound). A master of intricate storytelling, Hitchcock was one of the first directors whose films belonged to both popular culture and high art. By the end of his life, he had gone from being the overweight son of a greengrocer in a London suburb to Hollywood's reigning director, whose cameo roles in his own films were one of their most anticipated features, and whose profile was recognized by millions (thanks to the television show Alfred Hitchcock Presents). Michael Wood describes this journey with the wit and erudition that are the trademarks of his work, showcasing his singular ability to detect hidden patterns within apparently disparate forms. Whether he is writing about Henry James or Hollywood in the 1920s, he is alert to the fundamental truth lurking behind the stated meaning. In Hitchcock, Wood has found his ideal subject--an artist for whom explicit statement was anathema, who made conventional plot a hiding place rather than a source of revelation.
Paul Johnson patří k nejznámějším a nejoblíbenějším historikům současnosti. Ve svém dalším z dlouhé řady poutavých a poučených životopisů pozoruhodných osobností minulosti se zaměřil na muže, jehož sám považuje za jednoho ze tří nejodpornějších diktátorů historie.
Johnson je na rozdíl od Marxe přesvědčen, že historii netvoří masy, nýbrž úzké skupiny lidí a silní jednotlivci, jimž je třeba věnovat obzvláštní pozornost. Svůj stručný, ale vyčerpávající a především čtivě podaný životopis Stalina adresuje všem zájemcům o dějiny, ale zejména mladé generaci, jež zná Hitlera a Mao Ce-tunga, ale o sovětském generalissimovi toho mnoho neví. Přibližuje Stalinovo dětství a mládí, sleduje jeho rychlou cestu do nejvyšších pater komunistické strany a podrobně rozebírá jeho posedlost mocí, za niž zaplatily miliony lidí životem.
O Stalinovi jsem psal s nechutí a práce na knize mne hodně bolela, přiznává Paul Johnson v úvodu své zatím poslední biografie. Bral jsem ji jako svou povinnost, ale nakonec mi kromě smutku v duši přinesla i jisté uspokojení.
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