Ce quatuor tisse magistralement des relations complexes, l'amour et la perte dans le cadre exotique d'Alexandrie avant et pendant la Seconde Guerre mondiale. Chaque volume offre une perspective distincte sur ses personnages centraux, révélant les profondeurs de leurs désirs et de leurs conflits. Les récits explorent la nature de la mémoire, de l'illusion et de la réalité, brouillant les frontières entre fiction et vérité.
'I have been thinking about the girl I met last night in the mirror: dark on the marble-ivory white: glossy black hair: deep suspiring eyes in which one's glances sink because they are nervous, curious, turned to sexual curiosity.' The tragic story of the mysterious and fascinating Justine, and those whose lives she touched in pre-war Alexandria, is told by her lover, an impoverished Irish teacher who has sought refuge across the Mediterranean in Greece. It is undoubtedly a love-story, but the real heroine of the book is its setting: Alexandria, the city 'which decrees that its women shall be the voluptuaries not of pleasure but of pain'.
During sessions with his psychiatrist, Balthazar, their intricate love affair
is cast in a radical, sinister light, illuminating a mysterious plot connected
to a recent murder - but Lawrence Durrell's dazzling, kaleidoscopic
storytelling means that nothing is ever as it seems ...
Mountolive is a novel of vertiginous disclosures, in which the betrayer and the betrayed share secret alliances and an adulterous marriage turns out to be a vehicle for the explosive passions of the modern Middle East.
The magnificent final volume of one of the most widely acclaimed fictional masterpieces of the postwar era. Few books have been awaited as eagerly as Clea, the sensuous and electrically suspenseful novel that resolves the enigmas of the Alexandria Quartet. Some years and one world war was after his bizarre liaisons with Melissa and Justine, the Irish émigré Darley becomes enmeshed with the bisexual artist Clea. That affair not only changes the lovers, it transforms the dead as well, revealing new layers of duplicity and desire, perversity and pathos in Lawrence Durrell’s masterly construction. “A massive, marvelously concrete, deeply felt statement of faith. . . . His style glows with the mineral deposits of many cultures. One of the most important works of our time has come to an end.”—The New York Times Book Review “Clea rounds out the tetralogy with grace, beauty, and stunning impact. . . . This rich, exciting fare is Durrell’s finest writing style, a manner of writing few living authors can equal. . . . A magnificent achievement.”—The Detriot News “The reader is carried along on a current of superbly accomplished prose, as flexible and colorful as that of any contemporary writer. . . . What Durrell has given us is well worth having.”—San Francisco Chronicle
Consisting of Justine, Balthazar, Mountolive and Clea, The Alexandria Quartet explores the sexual and political intrigues of a group of expatriates in Egypt before and after the Second World War. In Justine, L. G. Darley attempts to reconcile himself to the recent end of his affair with the dark, passionate, multi-faceted Justine Hosnani. Balthazar is named for Darley's friend, a doctor and mystic, and it provides a retelling of Darley's romance with Justine from a more philosophical perspective. Mountolive is the narrative of English ambassador David Mountolive. The final volume, Clea, finds Darley maturing into the knowledge that the gifted painter Clea Montis is the woman for whom he is truly destined.
