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Les Livres d'Acteur

Cette série plonge dans le monde profond du jeu d'acteur, offrant aux lecteurs des aperçus des méthodes et philosophies fondamentales qui ont façonné la scène et l'écran. Elle explore les techniques de maîtres dont l'influence résonne aujourd'hui, fournissant des conseils pratiques pour les interprètes contemporains. Les amateurs de théâtre et de cinéma découvriront une riche source d'inspiration et de connaissances. C'est un guide essentiel pour quiconque cherche à comprendre l'essence même de l'art de l'acteur.

An Actor's Work
Creating a Role
Building a Character
An Actor Prepares

Ordre de lecture recommandé

  1. 1

    An Actor Prepares

    • 280pages
    • 10 heures de lecture
    4,1(3682)Évaluer

    One of the most important books on acting ever written, this is the book that introduced Stanislavski's influential 'system' to the English-speaking world.

    An Actor Prepares
  2. 2
    4,3(35)Évaluer

    "An Actor must work all his life, cultivate his mind, train his talents systematically, develop his character; he may never despair and never relinquish this main pupose - to love his art with all his strength and love it unselfishly." (Constantin Stanislavski)

    Building a Character
  3. 3

    No-one has had greater influence on acting as we know it than Stanislavski. His 'system' or interpretations of it - has become the central force determining almost every performance we see on stage or screen. His teaching is principally set out in three famous books: An Actor Prepares, Building a Character and Creating a Role. It is still the only comprehensive theory of acting we possess. In the first book, An Actor Prepares, Stanislavski dealt with the inner imaginative processes. In the second Building a Character, he concentrated on the body, the voice and other physical means of expression. In Creating a Role, the third book, he describes the elaborate preparation that precedes actual performance. Creating a Role "describes the elaborate marination that precedes the acutal performance. The analyses of Othello and The Inspector General, which make up Parts Two and Three, show a mind cutting through text like an inspired psneumatic-drill…Altogether Creating a Role is a brilliant little treatise and a careful reading is worth several lessons in almost any English acting academy" (Charles Marowitz, The Observer)

    Creating a Role

Dans le même esprit

  • An Actor's Work

    • 762pages
    • 27 heures de lecture
    4,2(60)Évaluer

    27 The External Creative State in Performance -- 28 General Creative State in Performance -- 29 The 'System' -- Appendices -- Endnotes -- Glossary of Key Terms -- Afterword by Anatoly Smeliansky

    An Actor's Work