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Traditions du cinéma mondial

Cette série explore les traditions cinématographiques riches et diverses à travers le monde. Chaque volume se concentre sur des mouvements cinématographiques distincts et des cinémas nationaux ou régionaux, en examinant leurs caractéristiques uniques. Les lecteurs découvriront des œuvres séminales et des innovations stylistiques qui façonnent le patrimoine cinématographique mondial. Elle offre une exploration captivante à tout cinéphile.

Transnational Film Remakes
French-Language Road Cinema
Czech and Slovak Cinema
Chinese Martial Arts Cinema
The New Neapolitan Cinema
Slow Cinema

Ordre de lecture recommandé

  • Slow Cinema

    • 320pages
    • 12 heures de lecture

    This collection of essays interrogates and expands the frameworks that have informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-g rained studies that will provide insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe.

    Slow Cinema
  • This series presents diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national, regional or, in some cases, cross-cultural cinema which constitute a particular tradition.

    The New Neapolitan Cinema
  • Chinese Martial Arts Cinema

    • 240pages
    • 9 heures de lecture
    4,0(2)Évaluer

    This is the fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia. The book unveils rich layers of the wuxia tradition as it developed in early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries.

    Chinese Martial Arts Cinema
  • Czech and Slovak Cinema

    • 272pages
    • 10 heures de lecture
    5,0(1)Évaluer

    This book examines links between theme, genre and visual style, and looks at the ways in which a range of traditions has extended across different historical periods and political regimes. It provides a unique study of areas of Central European film history.

    Czech and Slovak Cinema
  • Focusing on a corpus of films from France, Belgium and Switzerland, French- language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of `New Europe more evident than in French-language cinema.

    French-Language Road Cinema
  • Offering a variety of case studies in which films have been remade across national borders, Transnational Film Remakes provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon.

    Transnational Film Remakes