Ivan Sergejevič Turgenev Livres

Seize ans ! Le bel âge pour Vladimir Pétrovitch. Zinaïda en a vingt et un. Elle prend plaisir à l'appeler monsieur Voldémar. Il porte encore une veste courte col rabattu : un enfant amoureux de la jeune princesse pour l'avoir vue par-dessus la palissade de son domaine. Premier amour, premiers tourments. Tour à tour, il connaît la tristesse, l'exaltation subite, l'allégresse trouble, l'espoir et la crainte selon l'humeur de Zinaïda. D'abord insouciante, coquette, la jeune fille devient froide, mystérieuse. Vladimir songe à un rival secret. Il s'étonne de la coir caracoler à cheval avec son père et d'étranges soupçons l'envahissent. Mais comment s'y arrêter... L'amour est aveugle et Vladimir inconscient du drame qui se joue à ses côtés.

Seul et triste, Sanine voit approcher la vieillesse et se souvient. Il avait vingt ans quand il fit étape à Francfort, au retour d'un voyage en Europe. La première fois qu'il vit Gemma, dans la confiserie de sa mère, il en tomba follement amoureux. Gemma est belle, brune, parée de toutes les vertus et, très vite, partage son inclination. Pour elle, Sanine est prêt à tout : il se bat en duel, il l'arrache à son fiancé, un premier commis infatué de lui-même obtient sa main et décide de vendre ses terres pour assurer à sa belle une vie confortable. Sûr de régler l'affaire en trois jours, il part à Wiesbaden où se trouve en villégiature la femme - riche - d'un de ses amis. C'est là que le destin dérape. Sanine ne reviendra jamais à Francfort, pris dans un piège grossier qui lui coûtera son bonheur...

Set against the backdrop of feudal Russia, the collection features twenty-five evocative stories that explore life on a manor through the lens of exile. The narratives delve into the complex relationships and conflicts between serfs and landlords, highlighting the struggles and resilience of those living under oppressive conditions. Each story is crafted with lyrical prose, offering a profound insight into the human experience during a tumultuous period in history.

Ivan Turgenev's writing is distinguished by its profound exploration of nature and social injustices, reflecting his keen observations of the world around him. His life was marked by controversy, stemming from his outspoken views, including an arrest for his obituary of Gogol, and personal scandals such as philandering and allegations of plagiarism. Additionally, his perceived cowardice during a boat fire further fueled public debate about his character, making him a complex figure in literature and society.

Fathers and Sons stands out as a pivotal work in 19th-century literature, reflecting Turgenev's belief in the necessity for Russia to adopt Western ideals for progress. The novel explores generational conflict, particularly between traditional values and emerging nihilism, mirroring Turgenev's own opposition to serfdom and his admiration for German society. Renowned for his insightful characterizations and social commentary, Turgenev also gained recognition through his earlier work, A Sportsman's Sketches, and various short novels that delve into the complexities of human experience.

This unique collection contains Parasha, a humorous narrative poem, and four other narrative poems by Turgenev - Andrei, A Conversation, The Landowner and The Village Priest - all showing the author's early interest in ordinary stories of Russian life.

This novel 'portrays' the conflicts between the older aristocratic generation and the new democratic intelligentsia in Russia during the 1860's. The chief character is the nihilish 'Bazarov,' who espouses a strictly materialistic attitude toward life. His chief adversary is 'Pavel Petrovich Kirsanov,' an uncle of Bazarov's friend Arkadi, who upholds the aristocratic traditions in the face of Bazarov's ridicule. The novel, which is considered one of Turgenev's finest works, originally aroused widespread controversy in Russia with both radicals and conservations denying the accuracy of the portrayal of Bazarov. One side considered it slandered the younger generation; the other accused Turgenev of presenting too favorable a picture of the nihilist.

This collection brings together six of Turgenev's best-known `long' short stories, in which he turns his skills of psychological observation and black comedy to subjects as diverse as the tyranny of serfdom, love, and revenge on the Russian steppes. These stories all display the elegance and clarity of Turgenev's finest writing.