Peter Bergsma Ordre des livres (chronologique)

A young refugee washes up unconscious on the beach of a small island inhabited by no one but Samuel, an old lighthouse keeper. Unsettled, Samuel is soon swept up in memories of his former life on the mainland: a life that saw his country suffer, then fight for independence, only to fall to a cruel dictator; he recalls his own part in its history.

« Klara est une AA, une Amie Artificielle, un robot de pointe ultraperformant créé spécialement pour tenir compagnie aux enfants et aux adolescents. Klara est dotée d’un extraordinaire talent d’observation, et derrière la vitrine du magasin où elle se trouve, elle profite des rayons bienfaisants du Soleil et étudie le comportement des passants, ceux qui s’attardent pour jeter un coup d’œil depuis la rue ou qui poursuivent leur chemin sans s’arrêter. Elle nourrit l’espoir qu’un jour quelqu’un entre et vienne la choisir. Lorsque l’occasion se présente enfin, Klara est toutefois mise en garde : mieux vaut ne pas accorder trop de crédit aux promesses des humains...Après l’obtention du prix Nobel de littérature, Kazuo Ishiguro nous offre un nouveau chef-d’œuvre qui met en scène avec virtuosité la façon dont nous apprenons à aimer. Ce roman, qui nous parle d’amitié, d’éthique, d’altruisme et de ce qu’être humain signifie, pose une question à l’évidence troublante : à quel point sommes-nous irremplaçables ? »-- Quatrième de couverture

LONGLISTED FOR THE MAN BOOKER PRIZE 2016 Selected as a Book of the Year 2016 in the Observer and Daily Telegraph When you travel across the ocean on a boat, all your memories are washed away and you start a completely new life. That is how it is. There is no before. There is no history. The boat docks at the harbour and we climb down the gangplank and we are plunged into the here and now. Time begins. Dav�d is the small boy who is always asking questions. Sim�n and In�s take care of him in their new town Estrella. He is learning the language; he has begun to make friends. He has the big dog Bol�var to watch over him. But he'll be seven soon and he should be at school. And so, Dav�d is enrolled in the Academy of Dance. It's here, in his new golden dancing slippers, that he learns how to call down the numbers from the sky. But it's here too that he will make troubling discoveries about what grown-ups are capable of. In this mesmerising allegorical tale, Coetzee deftly grapples with the big questions of growing up, of what it means to be a parent, the constant battle between intellect and emotion, and how we choose to live our lives.

'Bloomington- Now that I have been here a while, I can say with confidence that I have never been here before.' 'Delightful, deeply moving, deliciously humorous, beautiful and surprising.' Financial Times'One of America's finest practitioners of prose . . . brimming with renewed inventiveness and the ability to assault readers with an upped dosage of wit, pathos and insight. Stunning, mesmerising.' Herald'A chance to revel . . . good, funny, remarkable.' Observer'Take these writings as they come, slowly. You will go back to a little gem that has wormed its way into your mind and stuck there, and discover that it is indeed a little gem, which sparkles a different way each time and flashes with a brief beauty of hidden meaning.' Susan Hill, Spectator'Davis can invest descriptions of everyday events with startling reserves of emotion. She has a brilliant eye for the surprising, vibrant detail.'Sunday Times'A clever and refreshing observation of the world around us.' Stylist'One of the unique creations of American literature.' Prospect

Daar is Elizabeth Costello weer, in een losjes verteld verhaal over een familiereünie in Nice. Ze heeft haar zoon John en haar dochter Helen drie jaar niet gezien. Het is geen toeval dat haar zoon vanuit de Verenigde Staten net een paar dagen in Zuid Frankrijk is op weg naar een of andere belangrijke conferentie. De eerste avond aan de Cote d'Azûr is vrolijk en plezierig. De volgende dag tijdens een autorit met haar dochter wordt Elizabeth geconfronteerd met de plannen van haar plichtsgetrouwe kinderen. Zou ze in een appartement in Nice willen wonen, vlakbij de galerie van Helen? Of, vraagt haar zoon een dag voor hij weer weg moet, zou ze mee willen naar Amerika en bij hem en zijn vrouw en kinderen in willen trekken, en haar rol als grootmoeder op zich willen nemen? Willen de kinderen werkelijk hun moeder zo dicht bij hen hebben? Of voelen ze zich voornamelijk verplicht hun genereuze voorstellen te doen, maar komen deze niet recht uit hun hart.Speciaal voor de Boekenweek 2008 uitgegeven.Bevat tevens: Aan de poort. - Vertaling van: At the gate

Bundeling van de romans 'Een lach in het donker', 'Wanhoop', 'Uitnodiging voor een onthoofding', 'De gave' en 'De tovenaar' van de Russisch-Amerikaanse schrijver (1899-1977).

A famous writer is commissioned to contribute to a book of essays called Strong Opinions when he meets a young woman who lives in his apartment tower. He asks her to become his . . . In the laundry room of her apartment block a young woman makes the acquaintance of an ageing writer. She agrees to type up his opinions, although she is aware that what he really desires . . . The young woman's boyfriend starts to spy on his neighbour and hatches a jealous plot to . . . J. M. Coetzee's Diary of a Bad Year was shortlisted for the 2008 NSW Premier's Literary Award, Christina Stead Prize for Fiction, and was shortlisted for the Award for Fiction and Award for Innovation at the 2008 SA Festival Awards for Literature. It is an extraordinary and utterly original novel about loneliness, friendship and the possibility of love. Diary of a Bad Year takes the reader from Australian democracy to Guantanamo Bay, from the meaning of dishonour to the creative truth of dreams. Written in a wholly innovative form for three simultaneous voices, Diary of a Bad Year is enthralling, unexpected and deeply moving.

Stifled by the torpor of colonial South Africa and trapped in a web of reciprocal oppression, a lonely sheep farmer seeks comfort in the arms of a black concubine. But when his embittered spinster daughter Magda feels shamed, this lurch across the racial divide marks the end of a tenuous feudal peace. As she dreams madly of bloody revenge, Magda's consciousness starts to drift and the line between fact and the workings of her excited imagination becomes blurred. What follows is the fable of a woman's passionate, obsessed and violent response to an Africa that will not heed her.

Depuis la parution en 1982 de ses œuvres saluées, John Michael Coetzee a toujours montré une réticence à sortir de l'ombre. Pour la première fois, il revisite l'Afrique du Sud d'il y a cinquante ans, à la recherche de la fraîcheur et de la spontanéité de son enfance. Cette évocation autobiographique plonge dans les hantises et les secrets d'un enfant brillant à l'école, mais despote et irascible à la maison, qui se cherche entre un père qu'il méprise et une mère dont il craint de perdre l'amour. Il navigue entre deux cultures et deux langues, pressentant un monde troublant. Dans cette période de sa vie, qu'il faut "endurer en grinçant les dents", il découvre l'autre - Afrikaner, Anglais, métis, noir, juif - ainsi que les préjugés et injustices qui les entourent. Il perçoit le mystère du sadisme et du désir. Déjà, il sait que ce qu'il écrira sera plus sombre, quelque chose qui, une fois coulé sur la page, se répandra comme de l'encre renversée, évoquant des ombres dans l'eau calme et des éclairs zébrant le ciel.

Paul Rayment is on the threshold of a comfortable old age when a calamitous cycling accident results in the amputation of a leg. Humiliated, his body truncated, his life circumscribed, he turns away from his friends. He hires a nurse named Marijana, with whom he has a European childhood in common: hers in Croatia, his in France. Tactfully and efficiently she ministers to his needs. But his feelings for her, and for her handsome teenage son, are complicated by the sudden arrival on his doorstep of the celebrated Australian novelist Elizabeth Costello, who threatens to take over the direction of his life and the affairs of his heart. Unflinching in its vision of suffering and generous in its portrayal of the spirit of care, Slow Man is a masterful work of fiction by one of the world's greatest writers.

Fable, allégorie, palimpseste littéraire, ce roman explore et interprète les extrêmes vers lesquels nos vies sont poussées, à travers les relations imaginées entre l'auteur et Daniel Foe alias Defoe

From an award-acceptance speech at a New England liberal arts college to a lecture on evil in Amsterdam, Elizabeth Costello is a distinguished and aging Australian novelist whose life is revealed through a series of eight formal addresses

The narrator, a student in 1950s South Africa, plots an escape from his native country, from the stifling love of his mother, from a father whose failures haunt him - and from what he is sure is impending revolution. However, arriving at last in London, he begins the dark pilgrimage of an outsider.

A magistrate in a country village protests the army's treatment of members of the barbarian tribes taken prisoner during a civil war and finds himself arrested as a traitor.

In een brief aan haar dochter beschrijft een oude, blanke vrouw uit Kaapstad de wreedheden van de Apartheid waarmee ze de laatste maanden van haar leven wordt geconfronteerd.

translation

Coetzee here tells the story of a handicapped young man who has worked as a municipal gardener in Cape Town. His mother is dying, and she wishes to return to her birthplace out in the veldt. Without the required transit passes, mother and son set out on a journey that will end in death for her and in a new but temporary life on an abandoned farm for him. His respite in isolation and peace does not last long, however; grotesque reality soon returns to trouble this quiet new world. Against the solitude of this private drama, Coetzee paints an eloquent and pained picture of his homeland and of the bureaucrats, doctors, army deserters, and camp guards who reveal the stress and qualms of their existence and who uneasily sense that there is no conclusion to their troubles and no future for their lives.

Albinus - rich, married middle-aged and respectable - is an art critic and aspiring filmmaker who lusts after the coquettish young cinema usherette Margot. Gradually he seduces her and convinces himself he is irresistible to her, but Margot has other plans. She wants to be a film star, and when Albinus introduces her to the American movie producer Axel Rex, she sees her chance - and plotting, duplicity and tragedy ensue.

Moins que zéro n'a rien d'un manifeste. C'est un roman de Los Angeles, ville dure, ville sans âme. " On peut disparaître ici sans même s'en apercevoir ", écrit Bret Easton Ellis. L'auteur (qui a seulement vingt ans) ne cherche d'ailleurs pas à nous dire autre chose que ce vide, ce sentiment d'une existence privée de sens. Pour autant, son récit ne tourne pas en rond. Il y a, au contraire, chez Bret Easton Ellis une extraordinaire puissance de la narration. Il nous ébranle ce petit jeune homme. Ses références, il ne faut pas aller les chercher en littérature mais plutôt du côté du rock, ce reflet clinquant de notre époque. A l'image de cette musique, Ellis est spontané, violent et son expression dépouillée. Le roman des années est né. Ouf ! il était temps.

"The Bridge of San Luis Rey," Thornton Wilder's second novel, won him the first of his three Pulitzer Prizes. The novel opens in the aftermath of an inexplicable tragedy--a tiny footbridge in Peru breaks, and five travelers hurtle to their deaths. Most townspeople think to themselves with secret joy, "Within 10 minutes myself...." But for Brother Juniper, a humble Franciscan friar who witnesses the catastrophe, the question is inescapable: Why those five? Suddenly, Brother Juniper is committed to discover what manner of lives these five disparate people led--and whether it was divine intervention that took their lives, or a capricious fate. Wilder maintained in his works that true meaning and beauty are found in ordinary experience. This is especially true of "The Bridge of San Luis Rey." From the very beginning to the stunning conclusion, the listener is absorbed into the individual stories of the five victims, and how their destinies intertwine.

The Nick Adams Stories show a memorable character growing from child to adolescent to soldier, veteran, writer & parent--a sequence closely paralleling events of Hemingway's life. The 1st section, called Northern Woods, includes "Three Shots", "Indian Camp", "The Doctor & the Doctor's Wife", "Ten Indians" & "The Indians Moved Away". The 2nd section, On His Own, includes "The Light of the World", "The Battler", "The Killers", "The Last Good Country" & "Crossing the Mississippi". The 3rd section, War, has "Night Before Landing", "Nick Sat Against the Wall", "Now I Lay Me", "A Way You'll Never Be" & "In Another Country". The 4th section, Soldier Home, has "Big Two-Hearted River", "The End of Something", "The Three-Day Blow" & "Summer People". The 5th section, Company of Two, has "Wedding Day", "On Writing", "An Alpine Idyll", "Cross-Country Snow" & "Fathers & Sons".