Plus d’un million de livres, à portée de main !
Bookbot

Cadrer le Film

Cette série explore des études théoriques et analytiques axées sur la restauration, la collection, l'archivage et les pratiques d'exposition cinématographiques. Les ouvrages examinent les liens profonds entre le patrimoine cinématographique et sa préservation contemporaine. Elle s'adresse aux universitaires et aux praticiens des archives et de la restauration cinématographiques, offrant des perspectives sur les fondements théoriques de la préservation des films.

Multiple Language Versions Made in BABELsberg
The Greatest Films Never Seen

Ordre de lecture recommandé

  • This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.

    The Greatest Films Never Seen
  • Multiple Language Versions Made in BABELsberg

    Ufa's International Strategy, 1929-1939

    • 458pages
    • 17 heures de lecture

    Focusing on the practice of creating multiple-language versions of films, this study explores the unique approach taken by Ufa Studios in Germany during the early sound era. It highlights their commitment to producing films in various languages with multilingual actors, a practice that persisted into the 1930s. The author, Chris Wahl, provides in-depth analyses of specific films while addressing theoretical questions regarding originality, adaptation, and the concept of remakes, offering fresh insights into this often-overlooked aspect of cinematic history.

    Multiple Language Versions Made in BABELsberg